Help us make our new record...
We're making a record! Our massive shows at Woodford really lit a fire in us to get this new music out and know it will be loved! We'd love you to pre-purchase the new album. We're asking a bit more than the normal $25, because we are using the extra money to finish the recording. In return you will be sent the brand-new album, direct to your home, signed by Shellie, as soon as we pick it up off the press. Thank you so much for your support, we are excited to share this new music with you soon.
Shellie Morris has spent the past 25 years honing her skills as a story teller and musician. She has learnt from communities around the world and worked with them engaging in music as a healing tool.
She imparts the importance of having a voice and that each individual is important whether she is in the desert or the city.
While she has been in the spotlight over the years for her involvement with Black Arm Band, Deadly awards, ARIA nominations, Music Australia award, NAIDOC Award, G.R. Burarrawanga Memorial Award and Australian of the Year award; by and large, she works on the ground empowering and gently effecting change.
Since discovering her Warduman and Yanyuwa roots, she has tirelessly worked to improve the lives of Indigenous Australians, especially in the Northern Territory.
She is the 2014 NT Australian of the Year, the 2014 NAIDOC National Artist of the Year, a multi Deadly Award winner and a driving force of the acclaimed album Ngambala Wiji li-Wunungu and the internationally award-winning musical documentary Prison Songs.
The documentary has won film and humanitarian awards around the world and is nominated for five AACTA awards (including best sound and score), ATOM Awards - Best Indigenous Resource and a Walkley Documentary Award to name a few.
She has worked with numerous organisations using music as a healing tool and also as an educational tool, highlighting in subtle but powerful ways the importance of numeracy, literacy and education as a whole. Her power to impact lies in her ability to make these learnings relevant to the country, place and language of the land and individuals she is working with. People are engaged because they are invited, feel included, have ownership and the process and end product is meaningful to their lives in very relevant ways.
Shellie has worked in more than 80 remote and urban Indigenous communities delivering music workshops in songwriting, singing, arranging, composing and performance to Indigenous children, young people, adults and elders from Cape York in Far North Queensland to Tasmania, from Arnhem Land in the Northern Territory to the Pitjantjatjara lands of South Australia and from the Kimberley region to the Ngaanyatjarra lands in Western Australia.